ALLi's coverage of Harlequin's AI-assisted micro-drama plans walks through the author backlash - questions about what contracts actually licensed, whether short-form video adaptations count as marketing or new media, and how shared-world romance lines survive if spinoffs can be automated.
The fight is really about control: who approves scripts, who gets paid for derivative attention, and what "Harlequin voice" means when machines enter the pipeline. Romance writers are often canaries for publishing's next rights fight; this is another coal-mine moment.
(Shortened and summarised to avoid devaluing the source)