Anders argues a new Blake's 7 has to be a retelling, not a sequel: Multitude Productions, led by former Doctor Who and The Last of Us director Peter Hoar, has bought the IP and is shopping a relaunch, and most of the original cast are gone. She sketches what made the 1978-1981 BBC series work - a revolutionary crew versus the fascist Federation, tonal swings from camp to bleak, and a big debt to British political memory - and why it influenced later SF on screen even when viewers compare it to Andor.
Her reboot checklist is basically writers'-room advice: nail Blake and Avon's spiky dynamic (she'd chemistry-test the leads hard and, if it were her show, build toward a slow-burn romance after seasons of subtext); keep Servalan-level camp and Chris Boucher-style punchlines (hire sitcom writers); don't flatten the show into a grim prestige clone of Andor, because Blake's 7 is messier morally - Blake himself crosses lines the story owns - and the Federation's "decent liberals" are part of the critique. She also flags story problems to fix in a fresh continuity (early plot luck, dropped threads) and suggests a crew that actually feels like escaped criminals, not sanitized rebels.